
Thank you ... for everything. And that includes you, Dad.
A place for musings about everything under the high summer sun
1972: Before he was Darth Vader or the voice of CNN, James Earl Jones held the job of commander-in-chief in The Man, a heavy melodrama based on the Irving Wallace political thriller and adapted for the screen by no less than Rod Serling. Jones played Douglass Dillman, the President pro tempe of the Senate who reached the Oval Office when the sitting Chief Executive and Speaker of the House were killed in a building collapse in West Germany (!) and the dying Vice President declined the promotion on the grounds that America didn't need to bury another grand poobah in six months. Needless to say, this being the early '70s, the idea of Jones in the White House doesn't sit well with, oh, just about everyone surrounding him, and before long President Dillman has to contend not only with white racist politicians (including a Southern-dipped Burgess Meredith), but also with African-Americans, including his own radical daughter, who want him to take more of a stand on their issues. Nevertheless, Dillman navigates the treacherous waters with skill and aplomb, and of course has the best president voice ever. This movie actually isn't available on DVD as of now, but Obama's real-life ascendance to the top spot may speed things up in terms of home availability for The Man.
1998: Morgan Freeman was the next man to break the White House color barrier in Deep Impact, which also began a mini-tradition of America having a black president just in time to deal with The End of the World - in this case, a comet (co-discovered by future Hobbit Elijah Wood) on its way for a mid-air collision with the Earth. As Tom Beck, Freeman doesn't have much to do but stay stoic and keep convincing his constituents that "we will prevail," even if he doesn't really believe it. But he looks so good behind the Oval Office desk, you think about drafting him for the next election.


A few seasons back, Brooke Smith, a respected New York-based actress known mostly for her work in the Big Apple theater scene and in some interesting film roles (Buffalo Bill's last victim in the Oscar-winning The Silence of the Lambs; a pregnant, gun-toting reality star in the satirical Series 7; Naomi Watts' jugdmental best friend in Woody Allen's Melinda & Melinda), did a guest-star arc on Grey's as Erica Hahn, a skilled but abrasive cardiac surgeon who was a rival to Isaiah Washington's Preston Burke. During the middle of last season, Smith became a regular as Hahn replaced Burke on the staff of Seattle Grace Hospital. What followed was an intriguing storyline when Erica started a relationship with orthopedic specialist Dr. Callie Torres (Sara Ramirez), marked in large part by a kiss shared between the two in May's finale. Prior to this, neither character had identified as gay or even bisexual, but the couple conitnued on as this fall's batch of new shows started. Tentatively, with humor and charm and poignancy and, yes, some missteps (including a few from the writers), Erica and Callie forged ahead, eventually going to bed together in a sequence that was marked by a great piece of acting from Smith in last week's episode, when Erica frightened Callie and maybe herself with the post-coital realization that, after all these years, she was indeed a lesbian. Many critics praised how Grey's writers, including creator Shonda Rhimes, were handling the plot, and much was made of the fact that this wasn't another "lesbian guest-star" situation, that this may have been the first time in network TV history that an ongoing lesbian romance consisted of two established regulars, neither of whom was going to just disappear one day.
Studs Terkel didn't live to see the Chicago Cubs win the World Series. And he won't find out who will win the most important presidential election in a generation on Tuesday. (Then again, he'll probably know who will win before any of us will.) But if those are the only really depressing points about the Pulitzer Prize-winning author, historian and raconteur's passing yesterday - other than the selfish fact that everyone who knew him, or knew of him, will miss him tremendously - then this really isn't a time to mourn, but a time to celebrate the life well lived. And how. Beloved by an entire city and a world of readers, known as the virtual creator of the modern genre of oral history, married to the same woman for 60 years - you can't beat that with a stick. Roger Ebert, who's way better at this stuff than I am, wrote eloquently about his friend within hours of Terkel's death. Go read his essay, and then do yourself a favor and check out some of Terkel's work. He's the kind of writer and interviewer I hope to grow up to be someday.